Steve McQueen's 'Bass' at Dia:Beacon in Flash Art

I wasn’t watching a moving image: I had become part of a moving image.

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Mary Helena Clark and Mike Gibisser’s A Common Sequence in BOMB

In A Common Sequence, genetically modified trees in monocrop orchards grow nonreproductive fruits to be picked by pneumatic machines.​

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Research Note: Thieves in Necessary Fiction

Fiction is not reality. It is an autonomous representation of reality in which correspondences have been tightened and details altered so as to make reality’s strangeness more available.

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Verena Paravel & Lucien Castaing-Taylor’s De Humani Corporis Fabrica in BOMB

When the nurse wheeling me to the recovery room asked if I had questions for the doctor, I told her that I did. I wanted to know what it looked like. She paused. “It?” “My insides,” I said.

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Aria Dean: There, There; There’s No ‘There’ There in Flash Art

The era of representation might be ending. You might not get to be a subject anymore, and that might be okay.

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Virgil Abloh’s ‘Figures of Speech’ at the ICA/BOSTON in Flash Art

I imagine Abloh's next exhibition emblazoned with instructions to “steal this show,” and I imagine an artist who might mean it.

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‘Quiet as It’s Kept’ Whitney Biennial 2022 Whitney Museum of American Art / New York in Flash Art

While a museum can attempt to black-box its funding sources, gallery attendants wearing union buttons are less easily kept from sight.